The Lives of the Dead

Some of the most interesting people I meet are dead…

Archive for the category “Creative Genius”

A Footprint; a Legacy

Originally published March 6, 2015

creative-head

Ga

When I was young, I was sure I would someday come to wide acclaim. I was certain my genius would be recognized by a great number of people. I imagined my work being discussed among the intelligentsia at cocktail parties in distant cities, long after I was dead.

I expected I would soon be able to earn a living through my own work and never have to trade my labor for a wage.   I wanted to be paid very generously, not because I needed to be rich, but as proof of how much others valued my talent.

I never doubted that this would eventually come to pass. My own self-worth was never in question.

For decades, I worked hard to make a name for myself. I honed my craft. I charmed and cajoled to get my work seen, produced, written about. Generally, I received excellent reviews. Sometimes, here and there, I made a big splash but it never turned into a tsunami.  I still had to work for others in order to support myself.

I watched others succeed in big ways. I cannot deny my resentment. Many rose to the top because of who they knew or because of family money or because of who they slept with. Fame requires a cleverness at selling oneself as a commodity; a willingness to do the bidding of those who can grant favors;  a strong inclination to push aside whoever and whatever stands in the way.

It was one thing to put myself out there, but I was unwilling, on principle, to whore myself. I believed my work deserved to stand on its own.

For decades, I felt myself to be on the cusp of being discovered, but eventually it became too much of an effort to chase elusive, ever-receding fame. This requires the unbridled optimism, energy and naiveté of youth.  There was already a second and third crop of hopefuls behind me. My window had closed.

I never stopped creating.  Until the end, I had a small group of admirers, many of whom were strangers to me, personally. I learned to be satisfied with this. My audiences grew smaller but I became more grateful for each and every one. Once in a while, I’d get a letter saying how much someone had enjoyed my work, or how it had influenced their own.

I suppose, in the end, that’s all an artist really wants. To leave a legacy. Our work is our contribution to greater human understanding.  We want our footprints to remain after we have moved on.

If you are enjoying this blog,  please click the link to subscribe and receive posts via email (new posts every three days).  Think of others who might enjoy it too,  and help spread the word! Post your favorite stories to social media.   Email a particularly apt link to a friend.   Even better,  talk about the concepts with others (whether you agree or disagree. )
Also,  I have just started a discussion group on Facebook,  for conversations about any of the concepts/issues in the posts.  Honestly, these are things in here which I don’t fully understand myself.  I would love  get your thoughts on this…even if you think this is all a bunch of hooey! 

 

original artwork:  Adrienne Gusoff

Laugh, So You Don’t Cry

Originally posted October 24, 2014

comedytragedy masksJo

It’s a good thing parents are biologically programmed to love their children; to believe that even the strangest-looking baby is the most beautiful creature on earth. Otherwise I’m not sure I would have survived. I was not an attractive child. As a toddler, I had the nose of a 90 year old man. People kindly told my parents it was just an awkward phase; surely I’d outgrow it.

Unfortunately, my awkward phase lasted my entire life.

I learned early that being funny was the key to my emotional survival.   It was far better to have people laugh with me at myself, than to laugh at me.   If I made a self-deprecating remark, they were disarmed. If I could laugh with them laughing at me, I was protected from their barbs. If they repeated my observation as an insult, I was able to take it as a compliment. They were using my joke, after all, and that meant they thought I was funny. Or, if they insulted me but not as cleverly as I insulted myself, I won again! Say the worst about yourself and nobody can insult you!

Humor was the path I took to love. There are other paths, but that was mine.   When I made people laugh, they wanted me around. Instead of being ostracized, I was included in their social groups. I was popular, even. Playing the clown was how I negotiated my way through everything. All my life lessons came through this.

I may not have been much to look at, but what did beautiful people offer the world anyway? You have to be a decent human being to be truly beautiful. Still, I was never quite able to let go of the nagging sadness to not have been born lovely. I eventually learned that everyone hurts in their own way. Everyone carries the wounds of childhood well into old age. Maybe forever.

The funniest people (and I have known many) are always outsiders. Sometimes they’re on the outside because of their odd appearance. Or maybe they’re just quirky in some way. Usually, though, they it’s just because their observation post on the world is in an out-of-the-way place where others dare not go. From their unique viewpoint, they see the things in ways that most others cannot.

I’m not saying that it’s only funny people who have unique viewpoints, but if you can make people laugh while they consider your way of seeing things, they are more likely to remember and agree with you and see things as you do. “Speak softly and carry a big shtick.”

The funniest people are also very smart. They can pluck the seed of truth from chaos. They hone in on hypocrisy like heat-seeking missiles. Their lack of respect for authority makes them natural iconoclasts. They are natural empaths, too. They instinctively understand the deepest fears and insecurities of others; they clearly perceive the nature of the ego that drives them.   That’s why comedians make great actors. They understand the most subtle nuances of emotion, something also absolutely crucial to delivering a good story. Looking at people, they see behind the veil of bluster and into the folds and shadows where self-doubt hides.   Once seen, it cannot be un-seen.

The great funny people are also often the most troubled, the most confused. We all secretly believe we don’t belong. There’s this over-reaching fear that if others saw us as we saw ourselves, they would look at us with the same pity and contempt they regard a sad, desperate, alcoholic clown at a three year old’s birthday party. “Get lost, Bozo! That red nose and big shoes aren’t fooling anyone!”

I developed a thick skin. I took the hits and stood back up again. I had no choice. I won’t say I wasn’t hurt when people said bad things about me – and they did, because I had a sharp tongue. I had no patience for the thin-skinned; for those who could dish it out but couldn’t take it; for those who pointed to the sins of others without considering their own. I pushed the edge, I know. Sometimes I went too far. I often made people cringe. I did try to limit myself to those who I believed could take it. But if they couldn’t? Well, that was their problem, not mine. I wasn’t responsible for the feelings of everyone in the world.  I’d taken my licks and learned my lessons. They had to take and learn theirs.

There were the haters. Lots of them.  I tried to ignore them but when they got under my skin, my salve was to surround myself with people who got me; who could laugh with me at the same stuff; who enjoyed the view from where I stood.   If I could make someone laugh – even one person —   really laugh from the deepest part of themselves; if I could get them to laugh at my truth, I was healed. The rejection of those who didn’t understand me no longer mattered.

To the question of whether a sense of humor is an innate talent or a learned skill, I say it’s a bit of both. Like any talent, most people pursue what they are good at. No normal person pursues a lifetime of failure and humiliation. And the longer you pursue, the better you get. Like an Olympic athlete. It’s natural talent, nurtured. I was the Nadia Comăneci of the Chuckles Olympics.

Being able to laugh at ourselves and at our tragedies takes the sting out of it. It puts things in perspective; helps us wrestle an unruly life back into our control. Laughing files the sharp edges off the pain.

 

(I know who this is, but we agreed that it would be best if I didn’t say.  😀  Nevertheless, we had a couple of very deep yet funny “conversations.”  I was given some personal messages for others, two of which I was able to deliver. The general message for all is “Be kind to others. Make sure the people you love know it. Do the right thing, follow your conscience, be true to yourself, and if they don’t like you,  f&^% ‘em! That’s their problem!”)

****

Thank you for visiting.  If you enjoyed this post, please follow the blog and/or sign up to receive email posts. New posts every three days, and they are getting more and more interesting. I promise! Comments are welcome here or at https://www.facebook.com/livesofthedead.   If you know anyone who would enjoy or relate to this,  please forward and/or share on Facebook or Twitter.  Thanks!

 

Greater Than the Sum of the Parts

 

originally published August 22, 2014

Artist: Mobstr/location: London

Sa

Genius. My greatest sorrow and frustration in life was that I was able to recognize it; appreciate it when I saw it; easily discern between the very good, the great and the brilliant; and yet, I, myself, could not produce anything of such caliber.   I could see the tricks and techniques the masters used to imprint their work with their unique creative flair. I was able to read between the lines and marvel at a turn of phrase or an especially apt metaphor. I noticed the nuanced underpainting and the way it brought life to the subject. I could hear the subtle change of key that lodged a melody in the head. And yet was not able to reproduce any of it.

I did not begrudge them their success. They deserved it. I only wanted to whip aside the curtain to see how they did it. Was there a trick? A skill I could learn? Techniques I might master?   The answer, I found was yes to all those things, and yet, the whole was far greater than the sum of its parts. There was something inside those people, something I didn’t possess. No matter what I did, somebody else did it better.   More naturally. More easily.

Perhaps if I’d had no aesthetic sense; if I’d not be able to catch that flash of brilliance that separated the journeyman from the prodigy, it might not have pained me so much. But I was able to see it and each time I did, it reminded me that I lacked what came so easily to them.

I plugged away at what I did best. I was moderately successful. I was able to earn a living, but few outside my immediate circle sang praises to my talent.

They stood at the pinnacle and I was left to worship from below.

I suppose this was the main thread of my life: To envy what I could never be; to live in the disappointment of not being able to be better than I was.

 


 

Thank you for visiting.  If you enjoyed this post, please follow the blog and/or sign up to receive email posts. New posts every three days, and they are getting more and more interesting. I promise! Comments are welcome here or at https://www.facebook.com/livesofthedead.   If you know anyone who would enjoy or relate to this,  please forward and/or share on Facebook or Twitter.  Thanks!

Artist: Mobstr/location: London

 

A Footprint; a Legacy

creative-head

Ga

When I was young, I was sure I would someday come to wide acclaim. I was certain my genius would be recognized by a great number of people. I imagined my work being discussed among the intelligentsia at cocktail parties in distant cities, long after I was dead.

I expected I would soon be able to earn a living through my own work and never have to trade my labor for a wage.   I wanted to be paid very generously, not because I needed to be rich, but as proof of how much others valued my talent.

I never doubted that this would eventually come to pass. My own self-worth was never in question.

For decades, I worked hard to make a name for myself. I honed my craft. I charmed and cajoled to get my work seen, produced, written about. Generally, I received excellent reviews. Sometimes, here and there, I made a big splash but it never turned into a tsunami.  I still had to work for others in order to support myself.

I watched others succeed in big ways. I cannot deny my resentment. Many rose to the top because of who they knew or because of family money or because of who they slept with. Fame requires a cleverness at selling oneself as a commodity; a willingness to do the bidding of those who can grant favors;  a strong inclination to push aside whoever and whatever stands in the way.

It was one thing to put myself out there, but I was unwilling, on principle, to whore myself. I believed my work deserved to stand on its own.

For decades, I felt myself to be on the cusp of being discovered, but eventually it became too much of an effort to chase elusive, ever-receding fame. This requires the unbridled optimism, energy and naiveté of youth.  There was already a second and third crop of hopefuls behind me. My window had closed.

I never stopped creating.  Until the end, I had a small group of admirers, many of whom were strangers to me, personally. I learned to be satisfied with this. My audiences grew smaller but I became more grateful for each and every one. Once in a while, I’d get a letter saying how much someone had enjoyed my work, or how it had influenced their own.

I suppose, in the end, that’s all an artist really wants. To leave a legacy. Our work is our contribution to greater human understanding.  We want our footprints to remain after we have moved on.

Laugh, So You Don’t Cry

comedytragedy masks

 

Jo

It’s a good thing parents are biologically programmed to love their children; to believe that even the strangest-looking baby is the most beautiful creature on earth. Otherwise I’m not sure I would have survived. I was not an attractive child. As a toddler, I had the nose of a 90 year old man. People kindly told my parents it was just an awkward phase; surely I’d outgrow it.

Unfortunately, my awkward phase lasted my entire life.

I learned early that being funny was the key to my emotional survival.   It was far better to have people laugh with me at myself, than to laugh at me.   If I made a self-deprecating remark, they were disarmed. If I could laugh with them laughing at me, I was protected from their barbs. If they repeated my observation as an insult, I was able to take it as a compliment. They were using my joke, after all, and that meant they thought I was funny. Or, if they insulted me but not as cleverly as I insulted myself, I won again! Say the worst about yourself and nobody can insult you!

Humor was the path I took to love. There are other paths, but that was mine.   When I made people laugh, they wanted me around. Instead of being ostracized, I was included in their social groups. I was popular, even. Playing the clown was how I negotiated my way through everything. All my life lessons came through this.

I may not have been much to look at, but what did beautiful people offer the world anyway? You have to be a decent human being to be truly beautiful. Still, I was never quite able to let go of the nagging sadness to not have been born lovely. I eventually learned that everyone hurts in their own way. Everyone carries the wounds of childhood well into old age. Maybe forever.

The funniest people (and I have known many) are always outsiders. Sometimes they’re on the outside because of their odd appearance. Or maybe they’re just quirky in some way. Usually, though, they it’s just because their observation post on the world is in an out-of-the-way place where others dare not go. From their unique viewpoint, they see the things in ways that most others cannot.

I’m not saying that it’s only funny people who have unique viewpoints, but if you can make people laugh while they consider your way of seeing things, they are more likely to remember and agree with you and see things as you do. “Speak softly and carry a big shtick.”

The funniest people are also very smart. They can pluck the seed of truth from chaos. They hone in on hypocrisy like heat-seeking missiles. Their lack of respect for authority makes them natural iconoclasts. They are natural empaths, too. They instinctively understand the deepest fears and insecurities of others; they clearly perceive the nature of the ego that drives them.   That’s why comedians make such great actors. They understand the most subtle nuances of emotion, something also absolutely crucial to delivering a good story. Looking at people, they see behind the veil of bluster and into the folds and shadows where self-doubt hides.   Once seen, it cannot be un-seen.

The great funny people are also often the most troubled, the most confused. We all secretly believe we don’t belong. There’s this over-reaching fear that if others saw us as we saw ourselves, they would look at us with the same pity and contempt they regard a sad, desperate, alcoholic clown at a three year old’s birthday party. “Get lost, Bozo! That red nose and big shoes aren’t fooling anyone!”

I developed a thick skin. I took the hits and stood back up again. I had no choice. I won’t say I wasn’t hurt when people said bad things about me – and they did, because I had a sharp tongue. I had no patience for the thin-skinned; for those who could dish it out but couldn’t take it; for those who pointed to the sins of others without considering their own. I pushed the edge, I know. Sometimes I went too far. I often made people cringe. I did try to limit myself to those who I believed could take it. But if they couldn’t? Well, that was their problem, not mine. I wasn’t responsible for the feelings of everyone in the world.  I’d taken my licks and learned my lessons. They had to take and learn theirs.

There were the haters. Lots of them.  I tried to ignore them but when they got under my skin, my salve was to surround myself with people who got me; who could laugh with me at the same stuff; who enjoyed the view from where I stood.   If I could make someone laugh – even one person —   really laugh from the deepest part of themselves; if I could get them to laugh at my truth, I was healed. The rejection of those who didn’t understand me no longer mattered.

To the question of whether a sense of humor is an innate talent or a learned skill, I say it’s a bit of both. Like any talent, most people pursue what they are good at. No normal person pursues a lifetime of failure and humiliation. And the longer you pursue, the better you get. Like an Olympic athlete. It’s natural talent, nurtured. I was the Nadia Comăneci of the Chuckles Olympics.

Being able to laugh at ourselves and at our tragedies takes the sting out of it. It puts things in perspective; helps us wrestle an unruly life back into our control. Laughing files the sharp edges off the pain.

 

(I know who this is, but we agreed that it would be best if I didn’t say.  😀  Nevertheless, we had a couple of very deep yet funny “conversations.”  I was given some personal messages for others, two of which I was able to deliver. The general message for all is “Be kind to others. Make sure the people you love know it. Do the right thing, follow your conscience, be true to yourself, and if they don’t like you,  f&^% ‘em! That’s their problem!”)

Greater Than the Sum of the Parts

Artist: Mobstr/location: London

Sa

Genius. My greatest sorrow and frustration in life was that I was able to recognize it; appreciate it when I saw it; easily discern between the very good, the great and the brilliant; and yet, I, myself, could not produce anything of such caliber.   I could see the tricks and techniques the masters used to imprint their work with their unique creative flair. I was able to read between the lines and marvel at a turn of phrase or an especially apt metaphor. I noticed the nuanced underpainting and the way it brought life to the subject. I could hear the subtle change of key that lodged a melody in the head. And yet was not able to reproduce any of it.

I did not begrudge them their success. They deserved it. I only wanted to whip aside the curtain to see how they did it. Was there a trick? A skill I could learn? Techniques I might master?   The answer, I found was yes to all those things, and yet, the whole was far greater than the sum of its parts. There was something inside those people, something I didn’t possess. No matter what I did, somebody else did it better.   More naturally. More easily.

Perhaps if I’d had no aesthetic sense; if I’d not be able to catch that flash of brilliance that separated the journeyman from the prodigy, it might not have pained me so much. But I was able to see it and each time I did, it reminded me that I lacked what came so easily to them.

I plugged away at what I did best. I was moderately successful. I was able to earn a living, but few outside my immediate circle sang praises to my talent.

They stood at the pinnacle and I was left to worship from below.

I suppose this was the main thread of my life: To envy what I could never be; to live in the disappointment of not being able to be better than I was.

 


 

Thank you for visiting.  If you enjoyed this post, please follow the blog and/or sign up to receive email posts. New posts every three days, and they are getting more and more interesting. I promise! Comments are welcome here or at https://www.facebook.com/livesofthedead.   If you know anyone who would enjoy or relate to this,  please forward and/or share on Facebook or Twitter.  Thanks!

Artist: Mobstr/location: London

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